12/2/2023 0 Comments Convert gh5 to prores editready![]() ![]() That's why I'm wondering if I should record in higher resolutions, even though I only want 1080 as the end product. Since I can't change the recording format for GoPro (MP4), I'm not sure where that leaves me if I have to convert every video and quality is compensated each time. Should I be recording 2k+ video on the GoPro if quality is going to be lost, instead of sticking with 1080? My end result is for all the videos to be 1080 quality, but 2 of the aerial clips I've put in FCP look fuzzy and more pixilated when compared to the original video. Is there something I am doing or not doing that is contributing to the loss of quality of the video? I have the compressed and original video side by side comparing them and the compressed is a bit less sharp than the original. So I guess I have a couple questions for anyone who is willing to answer them. I even chose the ProRes 422 (HQ) to see if that made any difference and it didn't (other than the file size being a bit larger). I didn't mess with the settings or do any cropping. I converted the video using Final Cut Studio's Compressor and there was a pretty obvious loss in quality. Apple ProRes 422 is a format that seems to be accepted by many people. ![]() Since Final Cut Pro doesn't let me edit MP4 video files, I have been looking online for ideal video file conversions. The original video is 1920 x 1080, 60fps and is in MP4 format. There will also be a Windows version of Canister available very soon.I have a GoPro Hero 3+ that I use on a DJI drone and I am in the process of editing these videos in Final Cut Pro 7. You can also get a MagStor unit through Hedge where you will receive a $500 USD Hedge Fund credit on top of that. All new MagStor purchases now come with a Canister license included. More and more people are starting to use MagStor for their LTO needs, so Hedge has teamed up with MagStor to bring you full driver detection and support for their devices. If you don’t specify an output colorspace or apply a LUT EditReady will continue to read the RAW file’s metadata and apply any embedded LUTs and color transforms specified on-set. ![]() For example, if you choose ARRI LogC/Wide Gamut as your output format and then select the ARRI LUT, you will get the correct result.ĮditReady will convert any RAW footage from ARRI, Sony, RED, or Blackmagic, into your chosen colorspace before applying the LUT. The way to avoid this is to let EditReady convert the original LUT-free video and apply the appropriate LUT after the conversion. When the video is converted, any previously-applied LUT won’t be correct. You don’t need to find the correct output LUTs for each camera make and model, because EditReady will automatically do that for you.Ī LUT will only be valid as long as the video remains in the same color space. EditReady converts any RAW format into these video standards automatically, without you having to worry about camera gamma or gamut settings. Whether you notice the quality difference is another thing. Directly recording to pro res will give you better performance and quality. You will always be limited to the original captured quality. The new color conversions options (available through the color conversion panel) let you quickly choose between Rec709 (SDR) and PQ or HLG (HDR). You can't just convert something to a higher quality. The new Color Conversion panel lets you pick a destination colorspace and LUT, and then EditReady does the conversion for you. X-OCN saves between 30% and 60% compared to the original RAW media.ĮditReady also receives new Color Awareness technology that allows you to shoot in all flavors of RAW without having any headaches in post. EditReady can now take both the original Sony RAW and the much newer X-OCN codecs and converts them into more manageable files. Sony’s X-OCN codec is a compressed RAW format. EditReady- Color AwarenessĮditReady now offers full Sony support and it will work with both Sony RAW and X-OCN files. You can also generate sidecars containing all your custom elements, which will be processed automatically by iconik’s Storage Gateway app. In Hedge, you can now automatically add metadata to all your iconik assets. Hedge now integrates with iconik, and EditReady features a new color pipeline as well as Sony RAW and X-OCN support. Then enter a file extension (mov) for the selected codec/container. In the Select desired VIDEO codec menu, select prores. If you want to add this option, click in the codec box, type ProRes, and press enter. New versions of Hedge and EditReady have been released. By default, Avanti doesn't list ProRes as an option in the codec menu. ![]()
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